The mapping represents the emotions one goes through depending on the different settings and times. The complexity of the design depicts the complexity of understanding one's emotions on a daily basis. The magnitude of the creation makes it most suitable for a pavilion, compared to the vectors and surfaces outcome.
The complexity of the pavilion allowed the possibilities of working with a wide range of colours which correlates with the colours instilled in the original mapping. Spot- lights with different colours were utilised to highlight every aspect of the pavilion, while the contrasting colours and its collision cause quite a frame of shadows which is essential in any design.
Rendering - Exterior (Final)
Rendering - Exterior (Glass Flooring)
Rendering - Exterior (On Water)
Rendering - Interior
The philosophical integration of nature and architecture as portrayed by Sou Fujimoto in 'Serpentine Pavilion' truly escalated my design drive to create an irregular abstract composition of light grid modules.
Emotion Mapping
The mapping represents the emotions I go through depending on the different settings and times.
The final mapping purposefully discards the use of a plan and instead relies on the illustrations to identify which setting these emotions occur. The interaction amongst the colours as one overlaps the other portrays the sense of mixed emotions while adding a level of intensity as the colours combine.
Mapping Emotions 1
Mapping Emotions 2
Experimenting with Surfaces 1
Experimenting with Surfaces 2
Experimenting with Aggregation 1
